My Name Is Earl, The Office
7 p.m. and 8 p.m., NBC
It’s the season finales of “My Name Is Earl” and “The Office” - so why aren’t people more excited? Is it because the shows never regained momentum post the strike-induced hiatus? Is it because the shows aren’t as good as they once were? “The Office” is still funny, and has had some genuinely great episodes this year (Michael and Dwight hanging with apparent cokehead Ryan, totally awesome), but seems to have lost a lot of the zip and buzz (zip and buzz! morning zoo crew!) it once had. “Earl,” meanwhile, seemingly found new relevance at the beginning of the season with the main character in jail, but has slid into “nearly unwatchable” territory these last few weeks. Hopefully these episodes fare better - “Office” promises tons of surprises! And who doesn’t love surprises, right? The episode is called “Goodbye, Toby,” though, so if one of them involves Toby going somewhere I wouldn’t consider that very surprising.

Smallville
7 p.m., The CW
Most likely, this (the seventh season finale) is Michael Rosenbaum’s last episode of “Smallville,” since he’s left the show. In a way, it seems kind of odd, since he is just now becoming “totally evil” instead of “morally ambiguous,” but it actually makes sense given that the whole show is about the relationship between Clark (Tom Welling) and Lex, and the latter’s slow turn from “generally nice dude” to “evil supervillain.” So now that he’s at that point, it seems that the character arc is pretty much done, or else you don’t have “Smallville” - you have a Superman show. So what doesn’t make sense, perhaps, is that the show is continuing on for another season, but at least you creepy Chloe fans can be happy that Allison Mack will be back (a rhyme).

Lost
8 p.m., ABC
The dude that plays Keamy (Kevin Durand) is such perfect casting. He just seems like such a d-bag, that I’m really rooting for Sayid to kill him in some bizarre fashion. His Wikipedia article was obviously edited by his publicist, though. Anyway, this is the first part of the allegedly three-part “Lost” season finale, and parts two and three will air on May 29. Yes, that means no “Lost” on May 22. It’s going to be tough. Real tough. Especially considering this one will probably end with some kind of awesome cliffhanger. The previews have been showing the Oceanic 6 leaving the island, which still seems like a huge spoiler even if we’ve known about it for months.

ER
9 p.m., NBC
Technically, since next season is its last and that will be the “series finale,” this is the last “ER” season finale - ever! And we’ve had 13 ones before this! That makes this sort of historically significant, right? Plus, Steve Buscemi is guest starring, so you know it’s important (or an Adam Sandler movie). Also, Luka (Goran Visnjic) is apparently back, for tonight at least. Yay!

ALSO ON: Season finales all up in here - CBS procedurals “CSI” (8 p.m., CBS) and “Without a Trace” (9 p.m., CBS); The CW’s…supernatural drama, “Supernatural” (8 p.m., The CW); Fox reality shows for dumb people, “Are You Smarter than a 5th Grader?” (7 p.m., Fox) and “Don’t Forget the Lyrics” (8 p.m., Fox); and the Comedy Central cartoon for even dumber people, “Lil’ Bush” (10:30 p.m., Comedy Central). Also, new episodes on ABC - “Ugly Betty” (7 p.m., ABC) and “Grey’s Anatomy” (8 p.m., ABC), both of which see season finales next week.

Starting at 7 tonight, with a new “My Name Is Earl,” that hopefully won’t be quite as atrocious as last week’s hour-long post-strike premiere. Seriously, that episode made me hate everything forever for a good two hours or so afterwards. Jane Lynch’s appearance, in that role, was pretty much the definition of “slumming it.” But yeah, that’s new tonight, and everything else is getting their first new episodes since the strike ended and production picked up again.

“30 Rock” - Here we go. The last new episode aired in January and was brilliant (”I don’t drink hot liquids. That’s the devil’s temperature.” and the “Midnight Train to Georgia” sequence), and this one is called “MILF Island,” so quite naturally, I’m expecting the quality to stay consistent. More Tracy Morgan is always a good thing.

“The Office” - I thought the first part of this “Office” season, which was once one of my very favorite shows, was oddly sort of…bad, other than highlights like Andy singing ABBA with his buddies providing speaker phone backup. Dwight kills a cat, and then we’re supposed to feel bad for him? Even “The Sopranos” wouldn’t have Tony kill a dog. I thought the last episode, the deposition one, was actually rather good, but so bleak and depressing (being said with full understanding that a lot of the appeal of the original “Office” were episodes that were bleak and depressing, that’s not really how the show works here) that it didn’t exactly leave me “wanting for more!” Perfect time for them to greenlight a spinoff without knowing what it’s going to be yet! I’m sure this episode will be plenty funny. I hope they don’t skimp on the Angela/Andy (what’s the clever portmanteau for them? An-gela? An-dy? Doesn’t exactly work) relationship. And Jim and Pam have been so boring as a couple so far that I can’t imagine they would hold off for three years to put them together to have this be “it.”

“Scrubs” - It’s sort of weird watching these episodes now, knowing they were in fact produced before the writer’s strike, and that all the ones being produced now will probably air on ABC next fall. Well, as long as JD and Elliot don’t end up together, I’ll be fine with it.

“ER” -  Yeah, I don’t know what’s going on with “ER.” George Clooney isn’t still on this show, is he?

I wasn’t sure if that was exclamation point-worthy or not, so I erred on the side of caution.

I’m not quite sure why “MNIE” is new tonight when “The Office” and “30 Rock” aren’t back with new episodes until next week, other than the fact that there’s a lot more post-strike “Earl” eps being produced - nine (counting hour-long episodes, like tonight’s, as two), as opposed to seven for “The Office” and six for “30 Rock.” Actually, that probably is the reason. So there you go!

The episode begins with a promo from NBC exec Jeff Zucker, poking some fun at the writer’s strike, written by  (irony!) “Earl” creator Greg Garcia. Between that and last night’s “South Park,” mocking the writer’s strike is all the rage, apparently. The episode also promises a cameo from Paris Hilton, which, oddly, hasn’t gotten much publicity. Maybe they just wanted her for the acting prowess she displayed in “The Hottie and The Nottie.“  She was, like, totally a hottie!

This is a little late because I didn’t get around to watching “Earl” until Friday night. I like to savor my Craig T. Nelson time when there’s not much else on.

It’s a little bittersweet, since it’s the last new episodes of “Earl” and “Scrubs” that we’ll get for…well, a really long time. One more “30 Rock” to go (and a few more “Scrubs,” but it’ll be a while before they air.

“My Name Is Earl” - Hey, this was pretty good! After last episode’s “Earl’s getting released!” fake-out, I didn’t think Earl would actually get released so quickly, but I’m sure it was done for a reason and the whole end of episode “why would karma want to reward me” thing will be dealt with soon. Oh wait, it won’t. Well, I’m sure if it would have been, it would have been cool. The “Craig T. Nelson as 80s porno star” revelation was a bona fide LOL moment.

“30 Rock” - Wowzers. It’s terribly cliche, but this show honestly keeps getting better and better. I’m just going to go ahead and list some quotes from this episode that were awesome:

“I call the movie ‘Risky Business’ ‘Risky It’ because ‘it’ means ‘business.’”

“That word bums me out unless it’s between “‘meat’ and ‘pizza.’”

“This corporation has a very strict bros before hos policy.”

“I drag myself out of bed at 4 a.m., go home, get dressed…”

And oh yeah, “Cajun style.” Edie Falco has been great on this show (who knew she would fit in so well on a wacky workplace sitcom?), and it was nice to see the supporting cast more involved in this episode given that much of the season has been solely Tina Fey-centric (nothing wrong with that, though, either). And of course there was that animated Tracy Jordan/Shaq segment. Fantastic episode.

“The Office” - A great repeat - the business school episode from last season directed by Joss Whedon. Michael’s whole speech to Ryan’s business class was amazingly well-executed - from the start with the candy bars and him ripping out pages from the textbook, getting flustered by all the questions and finally revealing that Ryan has never had a sale - great stuff.

“Scrubs” - This episode was rather blah. The only real intriguing element is the Janitor/Lady story; I wonder if they’re eventually going for the moral that sometimes you have to abandon your bizarre eccentricities for people you love, or that you shouldn’t have to change who you are for someone else. I think both have already been morals in the past on “Scrubs.” Probably earlier this season!

“ER” - Yeah right.